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FOREIGN LANGUAGES
&
THE LITERARY IN THE EVERYDAY
open lessons for
L2 literacy

Portuguese

O que cabe no poema?

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Lesson Title: O que cabe no poema? [ What fits in a poem? ]
Lesson Author: Steven Alcorn
Instructional Language: Portuguese
Level of Activities: College / 2. year, 3. year / Intermediate
Text Title: Não Há Vagas
Text Language: Portuguese
FLLITE Form: Culture Play, Symbolic Play

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Text

Text Title: Não Há Vagas
Text Language: Portuguese
Text Author: Ferreira Gullar
Genre: Poetry
Topic: Literature, Music, Art

Lesson

Lesson Title: O que cabe no poema? [ What fits in a poem? ]
Instructional Language: Portuguese
Lesson Author: Steven Alcorn
Level of Activities: College / 2. year, 3. year / Intermediate
Pedagogical Practices: Reading / Writing / Cultural Understanding
Grammar Focus: n/a
Main Objectives:

Students will first be asked to reflect on the subject matter traditionally associated with poetry (love and romance, emotion, struggle, discovery, etc.). They will also prepare a list of things that they could not live without and see/use/experience in their everyday life. They will then read the poem and answer some discussion questions about the author’s intended message in groups. The concept of metaphor will also be introduced with examples from the text. Finally, students will choose one item/person/profession/etc. from everyday life and write a poem about it, incorporating the metaphors discussed earlier in the lesson.

Texts, Genres & Practices
  • A short poem, “Não há vagas”, is included. Students practice reading comprehension, as well as critical thinking by relating the objects mentioned in the poem to the economic and cultural reality of Brazil. Finally, they will engage in creative writing by producing their own poem in response to the one they read.
Cultural Knowledge & Mindset
  • The poem is a critique of the objects and ideas traditionally associated with and portrayed in poetry. It forces the reader to consider why the items and people present in everyday life are not deemed worthy of appearing in poetic texts.
Language Use & Strategies
  • The poem relies heavily on metaphors to describe both the art of poetry and its traditional objects of reverence. Students will be asked to study these comparisons in the reading portion of the activity and include them in poems that they produce in the writing portion.
FLLITE Form: Culture Play, Symbolic Play

Qual Pessoa?

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Lesson Title: Qual Pessoa? [ “Which person?” ]
Lesson Author: Mariana Sabino Salazar
Instructional Language: Portuguese
Level of Activities: College / 2. year, 3. year / Intermediate
Text Title: Ricardo Reis — vida dele / Notas para a recordação do meu mestre Caeiro (algunas delas) / Correspondência (1923-1935) Álvaro de Campos por Fernando Pessoa
Text Language: Portuguese
FLLITE Form: Genre Play, Grammar Play

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Text

Text Title: Ricardo Reis — vida dele / Notas para a recordação do meu mestre Caeiro (algunas delas) / Correspondência (1923-1935) Álvaro de Campos por Fernando Pessoa
Text Language: Portuguese
Text Author: Fernando Pessoa / Álvaro de Campos / Fernando Pessoa
Genre: Portraits and Biographies / Poetry / Music and Music Videos
Topic: Personalities and Physical Attributes / Literature, Music, Art

Lesson

Lesson Title: Qual Pessoa? [ “Which person?” ]
Instructional Language: Portuguese
Lesson Author: Mariana Sabino Salazar
Level of Activities: College / 2. year, 3. year / Intermediate
Pedagogical Practices: Reading / Writing / Speaking / Listening
Grammar Focus: Introducing Continental Portuguese while reviewing the difference between indicative and subjunctive.
Main Objectives:

Students will be introduced to the work of one of the most important Portuguese writers of the 20th century, Fernando Pessoa, and reflect on different literary styles and how they convey different personalities and lusophone cultures of reception. In particular, students will be able to identify and reflect on the effects of literary elements. They will get familiarized with some literary concepts such as autobiography, heteronym, metaphor, narrator, and pseudonym. They will analyze a variety of biographies in indicative signed as Pessoa’s best-known heteronyms. Later, students will produce written and spoken discourse related to Pessoa’s alter egos, in which they will distinguish linguistically and conceptually between who we are and who we think we are using indicative and subjunctive moods.

Texts, Genres & Practices
  • The poet Pessoa will be represented through texts, portraits, signatures, and sketches. This will help students visualize different aspects of his distinct literary personalities. Students will read different literary styles that will expose them to different sentence and paragraph structures, spelling, and punctuation. They will also listen to Brazilian and Continental Portuguese and will get to compare both.
Cultural Knowledge & Perspectives
  • One of the most salient features of the Portuguese way of being is “saudade,” which is represented in some of these texts. Although Pessoa is Portuguese, his poems have been adapted by famous Brazilian singers and songwriters, which expresses the feature of “lusofonia.” Another important cultural aspect included in this activity is geographical. For instance, the relevant place the city of Lisbon has in Pessoa’s work.
Language Use & Language Play
  • Starting with the title, this activity questions assumptions about who do we think we are and how many personalities we have. Reviewing the difference between the use of the indicative and subjunctive moods based on who we are and how many personalities coexist within the self is central to this lesson. Students will engage with those two moods creatively.
FLLITE Form: Genre Play, Grammar Play

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  • Project
    ▼
    • Team
    • Editorial Board
    • Collaborators program
    • About the FLLITE Approach
    • Further Reading
  • Lessons
    ▼
    • Lessons by Language
    • Lessons by Language Play
  • Example Texts
  • How to Participate
  • Connect
  • Provide feedback

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